#Common finding forever intro lyrics free

Lines like вЂњLove is loveвЂќ (well, duh) and вЂњLove your Mother/ Love your Sister/ God is LoveвЂќ reek of sap.ДЄs well Common also automatically loses points for proclaiming that heвЂ™s вЂњRick James, bitchвЂќ in вЂњChi-CityвЂќ (though he almost redeems it for name-dropping Utlramagnetic MCs). вЂњLove IsвЂ¦вЂќ meanwhile is even worse as he stumbles lyrically on preaching of the merits of love. Go! is the most obvious example in which Common sexually fantasizes over a syrupy piano line and a loop of John Mayer singing the word вЂњGoвЂќ over and over again (which is more than enough Mayer for me). Common always has a tendency to be a little too, well, mushy and Be contains a good share of Hallmark card moments. However this album isnвЂ™t without any problems and though intended to be an album in which one just put on and let play, there are certainly a few moments in which fast-forward button is beckoned. All of this is laid out over CommonвЂ™s smooth baritone delivery that never seems to hint at losing momentum, as he roams the far corners of his mind and lets them flow into the mic. вЂњChi-CityвЂќ and вЂњReal PeopleвЂќ feature pure-1970s soul nostalgia with grooving trumpet melodies, jangly rhythms and woeful saxes. вЂњThey SayвЂќ meanwhile utilizes some great electric piano melodies that recall Hancock recordings of the mid-1960s over a static rhythm and a great verse by Kanye. It also tells a great story of betrayal and grief. вЂњTestifyвЂќ meanwhile features a vocal loop that is a measure twice of CommonвЂ™s rapping resulting in an almost polyrhythmic feel. 'I was rolling around, in my mind it occurred With this Common deploys some of his most earnest lyrics in a long while. Be for the most part is littered with these great moments and the best comes with вЂњFaithfulвЂќ which utilizes a gorgeous female vocal sample against shimmering piano, strings, horns, and a talk-box guitar lick that oozes passion and feeling. Simple, short, and effective, the intro kicks right into the main single вЂњThe CornerвЂќ- another effective cut in which a gritty piano heavy beat sets the backdrop for some skillful and very alliterative rhyming that is contrasted with some great spoken word courtesy of the Last Poets. Shorties blunted-eyed and everyone wanna rhymeвЂќ I'm talking Malcolm, Coltrane, my man YusefДЄnd everything a nigga do may not be what he might sayД«ut I write many lives and lay on these lines

#Common finding forever intro lyrics free

вЂњI want to be as free as the spirits of those who left Common that drops a very solid and confident verse, probably his best in years The best example of this mind-meld between Common and Kanye comes right at the start of the album with вЂњBe (Intro)вЂќ as a lone jazzy acoustic bass is plucking at a solemn pace only to pick up into a quick and intense bassline that is soon layered with some very whimsy piano and strings that compliment the melody beautifully. Though some might like to think that The College Dropout was a great record for West, Be may in fact be superior due to its great focus and attention to detail in applying the right beats for the right lyrics. Vibes of Sam Cooke, Marvin Gaye and especially Tom Bell are peppered throughout the mix in a very blissful and refreshing manner. Much of this is due to not only to CommonвЂ™s still-strong mastery of words and flows but also to KanyeвЂ™s production which demonstrates a very strong and potent 1970вЂ™s Philly soul vibe complete with graceful strings, slinky rhythms, and poignant vocal samples (sped up Kanye-style of course). Common, it seemed, was headed in the same direction yet Be demonstrates itself to be a strong collection of songs- an actual вЂњalbumвЂќ if you will- one that can just be put on without skipping tracks (well almost, as I later determine). WestвЂ™s production for the most part is probably the most pivotal aspect of this record as it shall be duley noted that in the past few years many of CommonвЂ™s conscious peers have been suffering some sort of identity/creativity crisis: Black Eyed Peas and Talib Kweli have both gone pop for better or worse Mos DefвЂ™s latest was massively unfocused and all over the map and the RootsвЂ™ The Tipping Point was just plain unimpressive. Blige, that guy from P.O.D.), Be is a stripped-down back-to-basics effort that finds producer-du-jour Kanye West at the production helm for the albums majority. Where Electric Circus was daringly melded hip-hop with nostalgic 1960s psychedelica and contained many a producer (Neptunes, ?uestlove) and guests (Erykah Badu, Mary J. Common decided to make a return to the same unbridled conscious rap that he perfected better in past albums such as Resurrection and Someday ItвЂ™ll All Make Sense. Following the luke-warm reception of 2003вЂ™s love-it-or-hate-it Electric Circus, Lonnie Lynn aka.